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Hildegard Knef

Writers: Charly Niessen, Hans Joachim Balke

Hildegard Knef, born 1925 in Ulm, Germany, was a multifaceted artist known for her work as an actress, singer, and writer. Her career spanned several decades, during which she made significant contributions to German cinema and music.

Knef began her career in the film industry during the 1940s, becoming one of the most prominent actresses in post-war Germany. Her breakthrough role came in 1946 with the film Die Mörder Sind Unter Uns, which was the first German film made after World War II.

In the 1950s, Knef expanded her career internationally, working in both Hollywood and European cinema. She appeared in films such as Decision Before Dawn and The Snows of Kilimanjaro, gaining recognition for her talent and versatility. However, it was her return to Germany and her shift towards music that marked a new and successful phase in her career.

Knef's singing career took off in the 1960s, and she became known for her deep, expressive voice and her ability to convey emotion through her songs. Her self-titled debut album released in 1963, featured a mix of chanson and jazz influences, setting the tone for her musical style.

One of her most famous songs "Für Mich Soll's Rote Rosen Regnen" became an anthem of resilience and self-determination. Her music often touched on themes of love, loss, and the human condition. Other notable songs include "Ich Hab Noch Einen Koffer In Berlin" and "Der Mond Hatte Frei", which showcased her lyrical emphasis and unique vocal style. Knef's contributions to the arts earned her numerous awards and accolades throughout her career.

She passed away on February 1, 2002, but is remembered as one of Germany's most talented and versatile artists at the time, whose work in film, music, and literature left a lasting impact on the cultural landscape.