iLLBiLLY HiTEC’s electronic tinkerings and styles have carved a swathe straight through the middle ground of the “sophisticated” modern reggae prevalent on the German scene, replete with hipster beards and Fred Perry caps.
The band’s strange-sounding name sparks a vision of a “what the fuck” attitude, and it manifests itself in the mind with its formidable, sweet-sounding mellifluous sounds. Their mixes are an intoxicating loop with sound sketches borrowed from reggae into which pseudo-spheric elements from breakbeat, hip hop and pop have been absorbed to weave masterful club dub.
They return after their debut album Reggaeetronics in 2013 and after lengthy tours with hundreds of shows in Europe and Latin America. While Reggaetronics celebrated a fusion of reggae with electronic elements, this time the Berlin band focuses on old-style reggae but interpreted for the modern age. They grab reggae by the root to conjure up a varied mix of roots, digital, hip hop and dub.
They prove that reggae from Germany is anything but dead – in fact, it is more popular than ever
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